E.g., if you're in ~/FLAC/Artist/Album, the transcoded files will be in ~/MP3-new/Artist/Album. A parallel directory hierarchy is created for each album, rooted in the folder "MP3-new", in the directory above the directory containing your artist directories. Just run this script in each album directory. It assumes that you have an artist/album directory hierarchy, with the individual track files starting with a 2-digit track number. You need to have lame, mp3gain, and flac installed. | lame -preset standard -add-id3v2 -ta "$artist" -tl "$album" \ Out="$dir/$artist/$album/$track2 $name2.mp3"įlac -decode -stdout -silent "$track $name.flac" \ Now if I need a lossy version, I'll convert it from the flac archive! I can't buy songs in lossy format anymore, primarily on the grounds of archive consistency.Īrtist2=`echo $artist | sed -e 's/&/\\\&/'`Īlbum2=`echo $album | sed -e 's/&/\\\&/'` So I went with FLAC, and album artwork, a single standard naming format, ect. And as time went on, and drive space became abundant and cheap, I bumped things to 256Kb/s AAC in itunes on the PowerMac G5, then 320Kb/s MP3, then finally around 2012, I decided to "clean up the library one last time" to make a final conversion. I started off saving everything at 160Kb/s MP3 back in 2000/2001 with MusicMatch on the old ME machine. currently, I have 131 of my CDs FLACed, at 60.8GB, then general dump of MP3s, aac, old itunes, ect is 31.4GB. ![]() When possible, I try to find the least compressed version of the track. We've come a long way since the days of horrible MP3 encoders that made everything sound like it was being played underwater at lower bitrates, and introduced all sorts of other bizarre sonic artifacts even at high bitrates (I remember the encoder that came with early versions of MusicMatch JukeBox inserting random thumps, clicks, and dropouts all over the place). I can't tell the difference unless I do a very careful side-by-side comparison, so it's good enough for mobile (car/bus/train) use.Įven at 160 kbit OGG sounds pretty decent. But OGG is "transparent" to me at a lower bitrate than MP3, and I want to maximize the amount of music I can cram into the phone. transcoding files that were originally in MP3 format to another lossy format is bad. Most of the collection is also transcoded to OGG format, for my phone. a few milliseconds of silence, which are noticeable on albums where there's not supposed to be any gap between tracks, so I edit those glitches out when I encounter them). Mostly CD rips, but also includes some vinyl rips and digital downloads.ĭigital downloads that come in MP3 format get converted to FLAC (even though there's a size penalty) to have a consistent archival format, and to have them in a lossless format for manipulation via Audacity (MP3 downloads frequently have minor beginning/end-of-track glitches, e.g. ![]() It's been about ten years since I've checked my now-secondary PC to see if that old ASUS DVD burner still works.ħ28GB in FLAC format here. I've never owned more than a few dozen albums of my own, which is more down to the fact that my parents were both audiophiles with very different collections than anything else Other than some 90's punk-lite and 00's industrial there really wasn't much for me to buy.Īll of that Vinyl and Plastic is ~3500 miles away in a basement, my collection of mostly 320K MP3's is stable at about a terabyte and hasn't much changed in over ten years now. ![]() The simple fact of the matter is that all my ripping occurred from 1998 through 2005 (or so), which is roughly when I was seriously listening to music on a regular basis. Also haven't settled on the proper ADC, which is the core of any vinyl ripping project. The Ripping of the Vinyl awaits a new turntable (something in the Rega catalog most likely) that can do it justice. Music is a physical format, preferably analog. The less I say about my vinyl collection is the less you disparage me once again. ![]() There's 300+ downstairs next to the audio rack and at least another 100 shoved in various spots in my "office". I'd need to actually track down an audio CD.
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